CATHERINE CLOVER |
Artworks | Info |
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These artworks address communication through voice and language and the interplay between hearing and listening (the vocal, the spoken) and seeing and reading (the visual, the written). Using collaboration and performance with field recording, digital imaging and the spoken/written word I am currently exploring an expanded approach to language within species and across species through a framework of everyday experience and the maladaptive, mixed and complex conditions that occur in our cities today. |
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Fivex Art Prize Two digital billboards, corner Flinders and Elizabeth Streets, central Melbourne |
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| RECENT and COMING UP |
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| 2020 | |||||||||
| Current Fivex Art Prize Two digital billboards, corner Flinders and Elizabeth Streets, central Melbourne 14 December 2020 to 31 January 2021 (First Prize Winner) |
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| Recent Monument to Now Moreart 2020 curated by Emily Cormack and postponed from April due to the Covid 19 pandemic, now running 11-29 November, 2020. Because of new restrictions I have re-jigged my project from a participatory choir to a lament, taking place at Fawkner Cemetery. | |||||||||
| Current Writing the Birds: Barrawarn in the inaugural edition of Inscription: The Journal of Material Text, edited by Gill Partington, Adam Smyth and Simon Morris, Leeds Beckett University and Information as Material, UK. Launched 28 Sept at the Bodleian Library Oxford |
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| Current Untie the Tongue in Translating Ambiance edited by Jordan Lacey, Unlikely Journal for Creative Arts Issue 06, Australia | |||||||||
Acts of Air: Reshaping the Urban Sonic curated by Lisa Hall as part of Un-earthed:Festival of Listening and Environment CRISAP University of the Arts, London UK, Launch 16 July 2020 |
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| Wild Bird Pod a community project with the City of Maribyrnong, Melbourne AU, July 2020. This project is about our experiences with wild birds during the pandemic lockdown. All contributions welcome! Focused on storytelling and conversation, there is no knowledge or expertise of birds or birdsong expected | |||||||||
| Upcoming: Collaboration with Steve Baker A Silence of Storks in Encounters edited by Helen Frosi, London UK | |||||||||
| Postponed Covid 19 Taiwanese Contemporary Arts Residency Language and Liberty coordinated by SITUATE RMIT University, Taipei National University of the Arts and Kuandu Museum of Fine Arts,Taiwan | |||||||||
In the pipeline 2020/21 |
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Teaching 2020 (Melbourne) |
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| Acknowledgement of Country I respectfully acknowledge the Wurundjeri people as the Traditional Custodians of the land on which I work and live (Naarm - Melbourne), for which sovereignty was never ceded, and wish to pay my respects to Elders of the Kulin Nation past, present, and emerging |
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 These artworks are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License |
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| Exegesis support material 01 | |||||||||
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| Sound Place | |||||||||
| Asialink audio 01 | |||||||||
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| Unlikely audio 01 | |||||||||
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| Shooting Asialink | |||||||||
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