CATHERINE CLOVER |
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My Monster: The Human Animal Hybrid In a Manner of Speaking (2018) (version II) Clover's score was constructed using attentive listening in central Melbourne, with a focus on considering common urban birds as language users, birds such as little ravens, wattlebirds, pigeons, silver gulls, rainbow lorikeets, willie wagtails, swallows, blackbirds, common mynas, noisy miners, spotted turtledoves, Australian magpies, grey butcherbirds, pied currawongs, starlings, sparrows, magpie-larks. The content of this installation is extended in a chapter that will appear in Ventriloquism and Contemporary Art edited by Jennie Hirsch, Maryland Institute College of Art, and Isabelle L Wallace, Lamar Dodd School of Art at the University of Georgia 2020/2021 For audio see the Performing, Writing conference, Wellington, New Zealand (2017), see this link. |
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Photo Credit: Mark Ashkanasy © RMIT Gallery | ||||||||||
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Photo Credit: Mark Ashkanasy © RMIT Gallery | ||||||||||
Photo Credit: Mark Ashkanasy © RMIT Gallery | ||||||||||
Photo Credit: Mark Ashkanasy © RMIT Gallery | ||||||||||
Photo Credit: Mark Ashkanasy © RMIT Gallery | ||||||||||
Photo Credit: Mark Ashkanasy © RMIT Gallery | ||||||||||
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Corvus corvix, Corvus corvix, Corvus corvix, Corvus albicollis,